Jobs usually arranged by the student, subject to Cinema Department approval. Job experience at ¾«Ñ¡AV, such as issuing film equipment, mentoring/tutoring cinema students, crewing or editing sound or picture for a local production company, are within the scope of this learning experience of film/video industry or related projects. One unit of credit is earned for 54 hours of unpaid or paid work.
Introduction to design and creation of professional level special effects for cinema using industry standard tools, including After Effects. Focus is on Computer Generated Imagery (CGI), motion graphics for film/video, and the special effects production process.
Explores the role of the film director in the translation of script to screen through development and execution of single-camera-style projects. Emphasis is on script analysis, pre-visualization planning and blocking, crew management and working with actors.
Introduction to documentary filmmaking production, from concept to distribution. Emphasis on fundamental skills including documentary producing, sound recording, lighting, cinematography and editing. Production practice is explored in the context of historical movements and contemporary issues.
Advanced editing skills and techniques to create professional quality projects, including transcoding, color correction, and mastering. Historical and contemporary editing styles are explored.
Building on CINE 54 Cinematography & Lighting, students will further develop their ability to translate theme, story, and emotion into motion picture imagery. Cinematography & lighting skills are refined via single-camera styled projects. Assignments focus on complex lighting design and camera movement as students employ advanced camera, lighting & grip equipment.
An introductory course that offers essential skills in writing a professional nonfiction script. Attention to research methods supporting content development, interviewing technique, story structure, script format, and cinematic grammar are emphasized. Historical nonfiction films and their influence on current work will also be explored.
Advanced work for filmmakers in sound recording, editing, design and mixing for motion pictures. Demonstrations of professional film location sound equipment, digital sound editing workstations, and film sound mixing studios. Film screenings and field trips to complement class lectures, discussions, exercises, demonstrations, group and individual work projects.
An overview of sound recording and design with a focus on hands-on, practical approaches. Sound recording techniques using a variety of microphones and audio recorders; sound editing and design using digital audio workstations to manipulate sync sound, dialogue, sound effects, music, and for sound mixing. Film screenings, lectures, demonstrations, and field trips.
Explore non-narrative filmmaking techniques stressing personal expression through individual production of short films in a historical context. Projects include utilization of a range of different experimental techniques and will reference films screened and discussed in class.